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realmofstories2018-11-12 05:37 pm
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Chapter 01: Act I - The Horseman of Christmas Past
A Hollow Christmas Carol: Act I—
[Mod note: Refer to the accompanying Game Notes for more information. If you wish to switch out of your current role, let us know!]
§ instructions.
This is the designated log for all the main scenes for Act I: The Horseman of Christmas Past. All sub quests and nonrelated threads are to be made in their own posts. The scenes are listed below along with the assigned cast. Organization wise, the threads can happen in any order so you don't have to wait for one group to post before you do. Just start when you're ready! But to help, include in the subject line the scene header (ex. Scene 1, Scene 2, etc.) You can fluff it up a little to make it more specific like including the main characters or even scene title. Just be sure to have the number so we know which is which!
As a reminder, characters will have the necessary information within their journals. Those who are selected to play a scene will find their journal flashing red, so hard to miss. Aside from a few aesthetic changes (costumes, makeup, etc., think stage effects), all characters will be unchanged and won't gain any new powers or properties (ie. "Ghosts" are still tangible). The information they have is roughly the same as what is written OOCly.
Although there are certain characters set for a scene, it's not impossible for those not directly involved to make an appearance as random side characters or helpers. Characters can either just happen to be there or those cast as the role can make a "call out" through the journals. Any items and locations found through the main scenes are also free to be used by others for fun. There are also Bonus scenes that are basically extra prompts for people to have fun with if they'd like.
If you have any questions, post them to the Game Notes.
§ main scenes.
¶ Scene 1: Ebegeeser and Horseman of Christmas Past. The Horseman is supposed to show Ebegeeser how he was as a teacher and he was (supposedly) a decent guy. So the best way to showcase that is give Ebegeeser a classroom to teach. The two will need to recreate the Schoolhouse, take care of some pranks, and deal with animated straw children. The "children" can behave however players want them to. Angels or devils, throwing things at Ebegeeser. Even the Horseman can be a brat and play along if they want. The Horseman will also have their pony to deal with and yes—must ride it at some point. Note: If it's pre-planned to not find the Schoolhouse here, let us know so that it's noted in other scenes involving it.
Cast: Ebegeezer - Kazuma Asougi; Horseman - 9S
¶ Scene 2: Ebegeeser's first meeting with Beltrina. Set in the Schoolhouse, Ebegeeser first meets the beautiful Beltrina...and starts thinking about her wealth. Beltrina herself is practicing the violin and is already in a relationship with Bromfred. But could Ebegeeser worm his way into her heart!? Time for Ebeneeser to get his flirt on...and the Horseman might sit on the side and watch. MUSICAL NUMBER ♫ Note: If the Schoolhouse is pre-planned to not be found in the other scene, then they will need to find the box. Otherwise, the scene is set in a random building.
Cast: Ebegeezer - Cyrus Albright; Beltrina - Pearl; Horseman - Therion
¶ Scene 3: Bromfred's arrogance and Ebegeeser's jealousy. After learning about Beltrina's relationship with Bromfred and Bromfred constantly messing with him, Ebegeeser is brimming with hatred and jealousy. Bromfred's feelings are far simpler—he just finds the guy dumb and an easy target (no one said Bromfred was nice). So they are at each other's throats and will showcase their dislike through the magic of rap. The characters will have to find microphones, make a stage, and then dish out insults at each other a la "Drop the Mic." Who will be the victor? Will Ebegeeser let slip his murderous thoughts!? MUSICAL NUMBER ♫
Cast: Ebegeeser - Edna; Bromfred - Therion; Horseman - Ib
This is the designated log for all the main scenes for Act I: The Horseman of Christmas Past. All sub quests and nonrelated threads are to be made in their own posts. The scenes are listed below along with the assigned cast. Organization wise, the threads can happen in any order so you don't have to wait for one group to post before you do. Just start when you're ready! But to help, include in the subject line the scene header (ex. Scene 1, Scene 2, etc.) You can fluff it up a little to make it more specific like including the main characters or even scene title. Just be sure to have the number so we know which is which!
As a reminder, characters will have the necessary information within their journals. Those who are selected to play a scene will find their journal flashing red, so hard to miss. Aside from a few aesthetic changes (costumes, makeup, etc., think stage effects), all characters will be unchanged and won't gain any new powers or properties (ie. "Ghosts" are still tangible). The information they have is roughly the same as what is written OOCly.
Although there are certain characters set for a scene, it's not impossible for those not directly involved to make an appearance as random side characters or helpers. Characters can either just happen to be there or those cast as the role can make a "call out" through the journals. Any items and locations found through the main scenes are also free to be used by others for fun. There are also Bonus scenes that are basically extra prompts for people to have fun with if they'd like.
If you have any questions, post them to the Game Notes.
§ main scenes.

- Find the gift with the Schoolhouse to kick things off. [It's a big green box with a piece of a chalk on top so it should be be pretty obvious]
- Disarm three pranks set up within the Schoolhouse. [Pranks can be whatever you guys want]
- Ebegeeser "teach" a class of "children" and the Horseman.
Cast: Ebegeezer - Kazuma Asougi; Horseman - 9S

- Beltrina plays or uses the violin. [Can be meshed with the musical]
- Ebegeeser tries to flirt with Beltrina through song. [♫]
- Mention Bromfred.
- Bonus: Horseman of Christmas Past makes an appearance to speak with Ebegeeser [Can have a separate thread]
Cast: Ebegeezer - Cyrus Albright; Beltrina - Pearl; Horseman - Therion

- Find the gift containing two microphones. [Small yellow triangular box up in a tree]
- Make a stage. [There will be planks of wood and a toolset available nearby]
- Rap at each other. [♫]
- Bonus: Horseman appears to warn Ebegeeser through rap. [♫; can have separate threads]
Cast: Ebegeeser - Edna; Bromfred - Therion; Horseman - Ib
[Mod note: Refer to the accompanying Game Notes for more information. If you wish to switch out of your current role, let us know!]
Scene 1.
[The Disciple wasn't sure what to expect on the method of transportation to this Drafted world, but it was certainly an out of this world experience. It almost felt like how he had been tossed into the Storyteller's world in the first place. At the end of light, he stumbles when his feet finally touch actual ground, gripping onto a nearby pole to stop himself from completely falling on his bum. Once he had his bearings, he discovers that his clothes have changed to suit his role, and that he was standing at the entrance to a small town. Lowry, wasn't it? A town is what it was supposed to be, but it barely resembled one with the lack of colors and fragmented buildings. It was unsettling, how lifeless this place was, hitting a little too close to home. ]
[A - Studying up]
[Once they've created the Schoolhouse, the Disciple waste no time familiarizing himself with the building and the materials he would need to "teach" the children. English, Math, History...simplified of course. He hums quietly to himself, leaning back in the seat he's occupying in the school yard. ] One person at a time on the slide--no climbing the swing. [All the while, he's trying...well half-heartedly telling the "kids" off from misbehaving. He's not even looking at them, too busying with his nose in a book and jotting notes down.
If they, even yourself decide to throw something at him, he'll swap it away with his book like some bug. Maybe make it into a game to see who can hit the teacher.
If you're actually just minding your own business, you might find yourself getting charged at by a small pony with a bundle of straw in its mouth. You might even have time to notice that the straw bundle is flailing in silent distress. 9S is running and shouting at said pony close behind, but it's probably too late for you... ]
[B - Class has Begun!]
Recite the passage on page 15. [There was silence in response, but one can't expect much when you have a bunch of straw kids as student. Maybe a few were actual people.] ...All right, I'll recite first and you repeat after me.
There was a fisherman named Fisher
who fizz for some fishure-" [He stops. Wait, that's not right. There's sound of the straw people shuffling in their seats as he clears his throat, trying to recite the words again.]
There was a fisherman named Fisher
who fished for some fist in fisher-wait, no that's not right either! [What the hell? He's never had any problems with speaking English, so why was he getting tongue twisted now?! He clenches the podium, staring down at the words. He could hear the straws shuffling, whispering.
The passage in full is:
There was a fisherman named Fisher
who fished for some fish in a fissure.
Till a fish with a grin,
pulled the fisherman in.
Now they're fishing the fissure for Fisher.]
[C - Prank call]
[ A message goes out to everyone who isn't the Disciple via journal: ]
Hey, everyone. 9S here. I'm your Horseman of Christmas Past. It says here that I'm supposed to give old Ebegeeser the full schoolhouse experience, so I guess that includes a round of harassment. Seems a little harsh, but I don't make the rules.
I don't have much experience with this kind of thing, so I could use your help. What are some good pranks to pull on a teacher? And hey, the more the better, right?
[ This is 9S's call for help, but feel free to reply with either a journal response or the actual prank itself if your character will be present! 9S can set up pranks submitted by absentees. ]
[OOC: Responses will either come from 9S or the Disciple]
intro!
A dramatic ghostly cape floats behind him, but that's about all that's different about his outfit.
BlindfoldGoggles, check. Boy shorts, double check. A random, extremely localized fog tumbles around his lower half, which he can already tell is going to get annoying. ]Uh, hey. Are you Ebegeeser?
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[ He looks toward the village. ]
Maybe we can find one roaming around? [ Do horses do that? ] By the way, you can call me 9S. "The Horseman of Christmas Past" sounds like a pain to say.
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Your horse can't have wandered far. [Saying it as if he knows how this works. He'll take the first step towards the town then. If there were passing people, they were not whole, more like physical shadows wandering the streets.]
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C
[Alfyn, good soul that he is, always paid attention to whatever he was learning and asked probably too many questions but being informed is always better when you're dealing with people's lives, all right?]
Makes it a lot harder to learn what you need to, if you ask me.
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[ 9S likes learning, and he's still finding the Disciple's lecture a bit dry. ]
Either way, it has to be done. What do you think about... filling his desk with sand?
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I guess...that's not so bad, as far as stirring up trouble? It'd be rough to clean up but at least nobody's getting hurt and none of his books or anything could be ruined by a little sand.
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[ 9S finds sand intensely annoying. Ultimately harmless, yet somehow still the worst. ]
Did you go to school, Alfyn?
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B
Sounds like you're having trouble fishing your words, Teach.
[That is so lame and he knows it, but he doesn't care. Just a smiiiiirk.]
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[Also, not removing feet.]
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B
Ophilia seems more than excited to attend, especially since she’s never had a formal education beyond what the Order has taught her. Still, she has a sharper mind and an even sharper curiosity to learn more of what she does not know. Even if this is just an exercise about speech, she’s enthusiastic to learn it.
DO YOU SEE HOW EXCITED SHE IS AS SHE’S RAISING HER HAND? DO YOU?! she’s sitting right in the front too pick me, professor, pick me!!!! ]
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...Miss Clement? [He calls to her, both because she really wanted to be picked and because he hasn't forgotten what happened back on the Index and surprised to be seeing her again.]
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(And maybe fulfill a selfish wish of attending a formal school.) ] Yes! [ Lowering her hand, she rises from her seat, raising the book upward. ]
I believe the passage is spoken as follows-- [ Clearing her throat: ]
There was a fisherman named Fisher
who fished for some fish in a fissure.
Till a fish with a grin,
pulled the fisherman in.
Now they're fishing the fissure for Fisher.
[ What the Order did teach was a good deal of magical lore, some of it spoken through incantations. Thus correct pronunciations of words is important! When she's done she looks at him proudly as if expecting him to tell her good job.
Instead she gets some boos and neeeeerd from the other "students" in the class, which only causes that smile to falter and her cheeks to redden. ]
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Scene 2
( b. horseman heckling )
A
Why, of course, Sir. How may I help you?
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[Also, something about her father's money? The idea of lusting after someone for their wealth is reprehensible, but it's a necessary part of the scene— he'll work it out somehow.]
Truly, you honor me by playing in my presence! May I ask— what brings a woman of your talent and graces to this humble schoolhouse?
[This would probably be better if he knew how to flirt. He doesn't. It just happens naturally in day-to-day life, but now that he's supposed to be trying, he's not sure how to manage it.]
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I'm simply here to offer music lessons to the students. I'm honored that you think so highly of my playing, though! I appreciate -
[Oh, right. She's supposed to be romantically entangled already, in this role, so...]
- I appreciate the compliment, but mind yourself. My dear Bromfred is protective of me when men approach me with lecherous intent.
[Ew. She set that up terribly; she feels bad for whoever is playing Bromfred. Sure, the character is supposed to be arrogant, but she just made him out to be downright possessive, and - Just acting. Right, right.
She tries to recover by starting to play the violin again.]
Do you perform musically at all, Sir?
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b at long last
But now? Now there's room in the script for a bit of improvisation. He's meant to guide Cyr-- Ebegeezer through whatever he's meant to have learned from revisting memories, but there were no actual lines about it, so...
Regardless, Therion has not often had the luxury of a
horsepony to ride, so he means to make full use of it,and he enters the stage with the fat pony kicking in the schoolhouse doors and trotting in. Therion sits straight and tall and pretends this is a noble and imposing steed as he crosses his arms and smirks at Cyrus.]Honestly, if that's the best you can do, no wonder you lost the girl.
[No one said the Horseman couldn't be an asshole...]
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It's not often you see a pony in a schoolhouse.
[They don't typically make very good students. Cyrus sighs, followed by an easy smile— perhaps he's meant to be crankier than this given his role, but that's a touch difficult for him even on some of his worst days.]
Now, now. I may have lost the battle, but I've not yet lost the war. These things take time.
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[Therion leans forward to pat the pony on the neck. There, there - she's a horse in his heart!]
Anyway, I dunno. At the rate you're going, it seems pretty hopeless.
[With a final scratch, he settles back in the saddle and regards Cyrus more seriously.]
Maybe the past you should have let her go to concentrate on less... musical pursuits. Other poorly tuned fish in the sea, and all.
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Scene 3.
[Ebegeeser has never had such lovely hair before, and likely never will again. For the sake of the role, Edna has done her best to take the feisty locks and contain them closer to her head. The rest of the costume is easy enough to mimic, even if it's terribly unflattering and she's already taking a moment to sigh over it. But-- the problem seems to present itself to them now is that... for what is meant to be a large scene, there's not much for them to work with here.
...no, to be more specific, there are many pieces and tools nearby but nothing reasonable. Just a large amount of wood and several man-made tools.]
What shining star should be forced to do something as ugly as manual labor? My delicate arms would be crushed under the weight--
[If she should just make her self at home in this tree; a comfortable grin on her face. She also found something up here, once she'd properly climbed the height of the tree but-- she won't bring that up just yet. It might come in handy if the others struggle with her over the construction of this set.]
Naturally, I'll be supervising.
B. MUSICAL NUMBER: Throwing Down (with Rap)
Now that that's done-- there's only one thing left to do.
[This, unlike the building of stages, is something she's actually looked forward too quite a bit. The format is a little different but this is something she should be able to do just fine.]
I hope you have some thick skin, because I'm not going to go easy on you. And I won't apologize if the truth makes you cry.
[It's time to get into BATTLE MODE.]
B - I'm so sorry this has taken so long
Heh. Please. As if you've anything worth saying.
[He urges the pony to center stage so that they can pose together to show off how obviously superior he is and how little this other is worth his time. He gestures casually with his mic.]
I'm feeling generous, though, and in a good mood, after having spend such a lovely afternoon with Beltrina. So you can have a moment of my time.
[In other words, he's letting Edna go first, curious what sort of person is behind the role this scene and just how good or not she is at this sort of thing.]